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Showing posts with label satire. Show all posts
Showing posts with label satire. Show all posts

Friday, May 03, 2019

Satire versus Political Polarization


In late February, I joined two of my Political Science colleagues (Jason Gainous and Jasmine Farrier) to speak at the annual "REDTalks Forum." This year the REDTalks focused on political polarization and I spoke about "U.S. Foreign Policy and Political Partisanship."

I've long been keeping an eye out for interesting stories and poll results about partisanship -- and how to address it. Over the years, I've frequently retweeted or bookmarked some of those findings.

In the current political atmosphere, Americans have partisan opinions about almost everything -- it's not just values-laden questions like gun control or abortion. Opinion about climate change science and policy is highly partisan. The links in the last paragraph point to partisan results from surveys about public opinion on trade and NATO, which reflect an interesting result noted in the literature. People follow cues from elites and take partisan stands, especially AGAINST the views of leaders and people from the other major political party. Democratic party member support for free trade and NATO has increased, in part, because President Donald Trump has attacked free trade and NATO.

This works both ways. David Frum notes a couple of weird Republican changes in the age of Trump:
The share of Republicans with a positive opinion of the FBI tumbled from 65 percent in early 2017 to 49 percent this past July. In the past three years, Vladimir Putin’s approval rating among Republicans has almost tripled, to 32 percent.
When Trump started criticizing the NFL for tolerating kneeling during the national anthem, Republicans started telling pollsters they did not like the NFL. At the time, I asked my students what they thought would happen in the south if a bunch of Southeast Conference (SEC) football players at schools like Alabama, Florida, and Georgia started kneeling during the national anthem -- especially if Trump continued to criticize the behavior.

Speculation aside, I'm writing today about something that ties my "comedy project" to political partisanship. The following paragraphs originally appeared in an Atlantic Monthly article by Pulitizer Prize winning NYT reporter Charles Duhigg. He noted in the January/February issue that some scholars in Israel conducted an interesting experiment:
A group of Israeli social scientists wanted to conduct an experiment disguised as an advertising campaign. The ads would run in a small, conservative Tel Aviv suburb, where many people were religious and supported right-wing politicians. The goal was to persuade the residents to abandon their anger toward Palestinians and agree that Israel should freeze construction of Jewish settlements in Gaza and the West Bank, among other concessions. 
The suburb they were hoping to convert, Giv’at Shmuel, was known for being strenuously opposed to anything associated with peaceniks, liberals, or anyone who said anything good about peaceniks or liberals. 
The scholars rejected standard suggestions to try to promote tolerance in the community. Instead, they decided to use a satirical campaign playing up the community's anger and outrage:
the researchers came up with a clever idea. Don’t tell everyone in Giv’at Shmuel that they’re wrong. Tell them that they’re right: A perpetual war with Israel’s neighbors made a lot of sense. If anything, the people of Giv’at Shmuel ought to be angrier. 
With the help of an advertising agency, the social scientists created online ads celebrating the tension between Israelis and Palestinians, and extolling the virtues of fighting for fighting’s sake. One ad showed iconic photos of Israeli war heroes and proclaimed, “Without [war] we wouldn’t have had heroes. For the heroes, we probably need the conflict.” The ad was scored with Wagner’s “Flight of the Valkyries.” Another ad featured footage of a soldier with a machine gun petting a kitten and an infantryman helping an old man cross the street. “What a Wonderful World” played in the background. Its tagline read, “Without [war] we would never be moral. For morality, we probably need the conflict.” The ads, along with brochures and billboards, began appearing in Giv’at Shmuel in 2015. Over a six-week period, according to polling, nearly all of its 25,000 residents saw them.
The results were impressive:
when the researchers conducted polls in the suburb at the end of the advertising campaign, the residents who had held the most extreme views at the outset of the experiment appeared to have softened. The percentage of right-leaning residents who said that Arabs were solely responsible for Israel’s past wars decreased by 23 percent. The number of conservatives who said Israel should be more aggressive toward Palestinians fell by 17 percent. Incredibly, even though the advertisements never mentioned settlements, 78 percent more people said that Israel should consider freezing construction in the West Bank and Gaza. (Residents in nearby towns who hadn’t seen the ads were surveyed as a control; they showed no such evolution in their views over the same period.) 
A year after the ads had ceased, by which time some residents had trouble recalling the specifics of the campaign, polls still showed greater tolerance. The campaign wasn’t a panacea, but it is among the most successful conflict interventions in contemporary social science.
The researchers believe the results worked because the satirical ads went to "embarrassing, offensive extremes." 
“No one wants to think of themselves as some angry crank,” one of the researchers, Eran Halperin, told me. “No one wants to be lumped in with extremists or the angriest fringe.” Sometimes, however, we don’t realize we’ve become extremists until someone makes it painfully obvious.
Duhigg conjectures that Donald Trump's political rhetoric -- particularly at his partisan rallies -- is "so extreme" that it offers similar "essentially absurdist provocations."

The hope is that Trump rally attendees will be shocked by the President's words.

Call me skeptical. 

My guess is that context matters. Political ads are public, even if targeted at particular geographic areas, and can be ridiculed publicly within the area. Trump's partisan rallies are closed events in front of his greatest admirers. They might be televised, but the broadcast audience is much more diverse -- and Trump's long speeches have so much content that it would be difficult to separate the mundane partisan words from the truly CRAZY. 

Again, Duhigg might be right that audience members would know, but I'm very skeptical. 

Political opponents, however, might achieve a big payoff by running "pro-Trump" ads that selectively feature some of his most outlandish claims. Don't run them on comedy websites and don't criticize the words as an opponent would. Run them as genuine over-the-top ads. 

That might work to deflate Trump. 


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Wednesday, October 16, 2013

Comedy and Satire as Discourses of Protest in Asia


This Saturday, I am participating in an event sponsored by the Center for Asian Democracy at University of Louisville: “Comedy and Satire as Discourses of Protest in Asia” -- A Symposium.
This year’s workshop seeks to examine the relationship between political protest and comedy in East Asia. In particular we are interested in the ways in which comedy has and is being used to critique and parody authoritarianism, corruption and political leadership.  Recognizing that in the West comedy and satire have a long tradition of not just speaking truth to power but also as a powerful tool of public criticism, this workshop aims to analyze the role of comedy in East Asia. Is it analogous to the role it plays in the West? Are there unique forms of comedy and protest? Are there cultural obstacles to parody and satire?
Specifically, I'm slated to give the Introductory Remarks at 10:00am — "Comedic and Satirical Narratives in Global Politics."

Note this detail: Chao Auditorium, Ekstrom Library.  Lunch provided. Free and open to the public. RSVP for lunch is requested. RSVP to cad@louisville.edu, or call 502-852-2667.


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Monday, September 30, 2013

Updates

I've been a blogger deadbeat, but here's what's been happening:

1. The 10 year anniversary of this blog passed without fanfare. My first post was September 3, 2003, though I later assigned an August date to a post that provided my biographical information.

2. I've been writing the latest paper for my Comedy of Global Politics book project: "Reading the Global War on Terror as Comedy." I'll be presenting it this Saturday morning in DC at the ISSS-ISAC annual meeting. I discuss comedic and satirical narratives and frame key early elements of the GWOT around them.

3. Saturday night, I attended "Bang, Bang You're Dead" at YPAS. My youngest daughter Cate has a key part in the production. She was fantastic in the moving play about a high school mass shooting.

BTW, a group of YPAS students plans to attend the Edinburgh Fringe Festival in Scotland next summer and they are looking for financial assistance to cover expenses. Eat at Impellizzeri's pizza in the Highlands tonight and this YPAS project receives 10% of the revenues.

4. Finally, I wish to express my condolences to the family and friends of local financial entrepreneur George Emont. His son Jacob is a close friend of my daughter Claire and his recent death is a genuine tragedy.


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Sunday, March 14, 2010

DVD Pick of the Week

This past week, I watched and very much enjoyed "In the Loop." The film is a political satire of the first rank. This quote is from the film's webpage:
With razor-sharp, truly laugh-out-loud dialogue the film pokes fun at the absurdity and ineptitude of our highest leaders. With everyone looking out for number one, and the fate of the free world at stake (but apparently incidental), the hilarious ensemble cast of characters bumbles its way through Machiavellian political dealings, across continents, and toward comic resolutions that are unforeseeable.
James Gandolfini is terrific in a significant post-Sopranos role as a dove in the Pentagon, but Scottish actor Peter Capaldi owns the film as a political flack for her Majesty's government.

If you don't know about the story, suffice to say that the U.S. and U.K. are headed to a war that seems to be favored by a crafty spin-doctor and a well-positioned neoconservative (plus his young followers), but is opposed by almost everyone else. The intelligence evidence for war is based on weak foreign sources or is simply fabricated whole-cloth. The "insider" war opponents are revealed to be weak-willed ineffective careerists.

Warning: if you remember former child actor Anna Chlumsky from "Uncle Buck" and "My Girl," then the movie may make you feel old. She's nearly 30 now...


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Saturday, July 05, 2008

Satire

Here's another nugget for the comedy project. From comedian-turned-Senate candidate Al Franken (MN), as quoted in the Washington Post, December 17, 2007:
"Let me tell you what a satirist does," he says. "A satirist looks at a situation and sees the inconsistencies and hypocrisies and absurdities, and cuts through the baloney and gets to the truth. And I think that's pretty good training for the U.S. Senate. Don't you?"
Long-time readers may recall my interest in the promotion of public dialogue at the global level. My coauthored book was inspired by the social theory of Jürgen Habermas, whose "discourse ethics" aspire to promote consensual truth-seeking and discursive democracy.

Can satire and humor promote truth-seeking in global politics?

I think political theorist Sammy Basu would agree with Franken about the importance of humor, as he has called for acceptance of an "ironic speech situation" (ISS) -- a "speech situation that grants illocutionary validity to humor."
In locating irony under the rubric of humor, I want to split the difference again between Habermas and Rorty. Rorty affirms detailed historical narratives at the expense of Habermasian philosophical meta-narratives. For Rorty, all commitments ought to come unglued privately even as we publicly affirm loyalty to the liberal status quo, whereas with Habermas our parochial private commitments must be abandoned publicly unless they are intersubjectively intelligible and agreeable. The joke, I submit, can fall somewhere in between as a kind of little, public, ironic "shock-narrative."(n73) Humor enables the withholding liberals insist upon, while enriching the public debate democrats affirm. Humorously, one can attempt the self-disclosure of intimate feelings while managing the potential for social disruption.

The ISS is a better regulative ideal inasmuch as it is more likely to result in a just outcome to which the parties involved will feel committed.
Earlier in the paper, Basu writes "Habermas is perhaps the apogee of interlocutory humorlessness."

Put simply, Habermas is skeptical about the discursive value of humor, but Basu and I think that humorists like Franken can make a valuable contribution to political discourse.

I've been thinking about comedy a great deal because satire and farce are integral parts of my film class -- and the next section begins on Monday.


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